| Erscheinungsjahr | ISBN | Autor(en) | Titel |
|---|
| 1995 | 978-3-927258-01-3 | Nancy Williams | Papier Design |
| 1992 | 978-3-927258-05-1 | Robert Crumb | R. Crumb Comics: The Story O' My Life People...Ya Gotta Love 'Em I'm Grateful! I'm Grateful! |
| 1997 | 978-3-927258-06-8 | Herbert R. Lottman | Albert Camus: A Biography |
| 1993 | 978-3-927258-07-5 | Laure Beaumont-Maillet | Atget Paris |
| '' | 978-3-927258-09-9 | CD Packaging Design |
| 1999 | 978-3-927258-10-5 | Robert Crumb | R. Crumb Comics |
| '' | 978-3-927258-12-9 | Luisa Somaini · Claudio Cerritelli | The Way of Collaboration |
| 1995 | 978-3-927258-13-6 | Logo: 200 Great Logo Designs by the World's Best Designers |
| 1992 | 978-3-927258-16-7 | Ken Cato | Graphics in the Third Dimension |
| 1993 | 978-3-927258-19-8 | Edward Booth- Clibborn · Rick Poynor | typography NOW. the next wave |
| 1992 | 978-3-927258-20-4 | Diane Burns | Designers on Mac |
| 1993 | 978-3-927258-22-8 | Stephen and Joseph Fatton Bridges | Best of Brochure Design |
| 1999 | 978-3-927258-24-2 | Rita Street · Ferdinand Lewis | Touch Graphics |
| 1996 | 978-3-927258-30-3 | Derek Sussner | Logo Design, Vol.7 (Design Library) |
| 978-3-927258-31-0 | T-Shirt (Design Library Series) |
| 1996 | 978-3-927258-32-7 | Dominique Lebrun | Hollywood |
| 1997 | 978-3-927258-33-4 | Lucio Fontana | Catalogo Generale |
| 1996 | 978-3-927258-34-1 | Brigitte Ollier | Doisneau Paris |
| 1997 | 978-3-927258-35-8 | The Best of the Best of Brochure Design |
| '' | 978-3-927258-37-2 | Sergio Polano | Santiago Calatrava: Complete Works |
| 1998 | 978-3-927258-38-9 | John Plunkett | Mind Grenades: Manifestos from the Future |
| 2002 | 978-3-927258-39-6 | Omar Calabrese · Umberto Eco · Maurizio Bettini · Tommaso Fanfani · Francois Burkhardt · Francesca Picchi · Sebastiano Vassalli · Francesco Alberoni | The Cult of Vespa |
| 1997 | 978-3-927258-40-2 | Herbert R. Lottman | Albert Camus in New York |
| '' | 978-3-927258-41-9 | Gingko Press | Nofrontiere Operating System |
| 2006 | 978-3-927258-43-3 | Jeremy Fish | I'm with Stupid |
| 1997 | 978-3-927258-45-7 | Simon, Michael Mack and Sean (Hrsg.) Perkins Browning | Surface Contemporary Photographic Practice |
| 1997 | 978-3-927258-47-1 | Leonard Arte | Missoni (Made in Italy) |
| '' | 978-3-927258-48-8 | Leonardo Arte | Moschino (Made in Italy) |
| '' | 978-3-927258-49-5 | Mariuccia Casadio | Versace (Made in Italy Series) |
| '' | 978-3-927258-50-1 | Luke Herriott | Pachaging Templates Sourcebook |
| 1998 | 978-3-927258-51-8 | Claes Caldenby · Olof Hultin · Erik Gunnar Asplund | Asplund: Architect |
| 1997 | 978-3-927258-52-5 | Rob Chapman | Album Covers from the Vinly Junkyard |
| 1999 | 978-3-927258-53-2 | Lea Vergine | Trash: From Junk to Art |
| 1998 | 978-3-927258-54-9 | P. Burgoyne | Browser Internet Design Project |
| 2001 | 978-3-927258-57-0 | Juan Navarro Baldeweg | Navarro Baldeweg |
| 1998 | 978-3-927258-58-7 | Giusi Ferre | Gianfranco Ferre (Made in Italy) |
| '' | 978-3-927258-59-4 | Samuele Mazza · Giusi Ferre | Alberta Ferretti (Made in Italy) |
| 1998 | 978-3-927258-60-0 | Ivan Zaknic · Council on Tall Buildings and Urban Habitat | 100 Of the World's Tallest Buildings |
| 1999 | 978-3-927258-61-7 | Burkhardt Seiler · Malcolm McLaren | The Album Cover Art of Punk |
| 1998 | 978-3-927258-62-4 | Hitoshi Nagasawa | Logo Mondo: Hitoshi Nagaswa + and papier collè |
| 1999 | 978-3-927258-63-1 | Frances Anderton | Pop Architecture: Kanner Architects, Los Angeles |
| '' | 978-3-927258-64-8 | Spencer Drate · Thomas Olejar | Labels of Distinction |
| 2001 | 978-3-927258-66-2 | Alain Sayag | Man Ray: Photography and Its Double |
| 1998 | 978-3-927258-68-6 | Not Available | London Yesterday |
| '' | 978-3-927258-69-3 | John Hartray | Chicago Yesterday |
| '' | 978-3-927258-70-9 | Christian Woldsdorff | Berlin Yesterday |
| '' | 978-3-927258-71-6 | Andreas Feininger | America: Photography by Andreas Feininger (Yesterday) |
| 1999 | 978-3-927258-72-3 | Pupain Max | Jorn Utzon: The Sydney Opera House |
| 1998 | 978-3-927258-74-7 | Anatxu Zabatbeascoa | Houses of the Century |
| 1998 | 978-3-927258-75-4 | Brochure Design: No. 3 |
| 2000 | 978-3-927258-76-1 | Keiichi Tahara · Philippe Thiebaut · Bruno Girveau | Jugendstil |
| 1999 | 978-3-927258-77-8 | Samuele Mazza | Trussardi (Made in Italy) |
| '' | 978-3-927258-79-2 | anatxu-zaballbeascoa | Tado Ando: Architecture and Spirit/Arquitectura Y Espiritu |
| 1998 | 978-3-927258-80-8 | Brian Close | Dominique Perrault: Small Scale/Pequena Escala |
| 1999 | 978-3-927258-81-5 | gingko-press | Renzo Piano: Architecture Monograph/Monografico Arquitectura |
| 1998 | 978-3-927258-82-2 | Julie Hirschfeld · Stefanie Barth · Peter Hall | Pause: 59 Minutes of Motion Graphics |
| 1999 | 978-3-927258-83-9 | Marcus Field · Mark Irving | Lofts |
| 2000 | 978-3-927258-84-6 | Stafford Cliff | London Rooms: Portfolios from 40 European Interior Designers |
| '' | 978-3-927258-85-3 | Milton Glaser | Kunst ist Arbeit |
| 1998 | 978-3-927258-87-7 | Luke Herriott | 1000 Restaurant, Bar, and Cafe Graphics: Signage to Logos and Everything In-Between |
| '' | 978-3-927258-88-4 | '' | Designer's Packaging Bible, The: Creative Solutions for Outstanding Design |
| 1999 | 978-3-927258-89-1 | Lewis Blackwell | 20th century type remix |
| 2008 | 978-3-927258-90-7 | Stoltze Design · Cliff Stoltze | 1000 Music Graphics: A compilation of packaging, posters, and other sound solutions |
| 1998 | 978-3-927258-91-4 | Phil Beddard | Nocturnal |
| 2000 | 978-3-927258-95-2 | Steve Curran | Motion Graphics |
| 2005 | 978-3-927258-98-3 | Charles Bukowski | Bukowski, Schreie vom Balkon Briefe 1958 - 1994 |