Erscheinungsjahr | ISBN | Autor(en) | Titel |
1996 | 978-3-7186-5866-4 | Povl Krogsgaard-Larsen · Ulf Madsen · Tommy Liljefors | A Textbook of Drug Design and Development |
'' | 978-3-7186-5867-1 | Povl Krogsgaard-Larsen | Textbook of Drug Design & Development |
1997 | 978-3-7186-5869-5 | Timothy J. Peters | Alcohol Misuse: A European Perspective |
1996 | 978-3-7186-5871-8 | Odysseas Elytes | The Oxopetra Elegies (Greek Poetry Archive, Band 2) |
1997 | 978-3-7186-5872-5 | Lizbeth Goodman · Jane De Gay | Feminist Stages: Interviews With Women In Contemporary British Theatre (Routledge Harwood Contemporary Theatre Studies, Band 17) |
1998 | 978-3-7186-5873-2 | Leigh Woods · Agusta Gunnarsdottir | Public Selves And Political Stages: Interviews with Icelandic Women in Government and Theatre (Routledge Harwood Contemporary Theatre Studies, Band 18) |
1997 | 978-3-7186-5875-6 | Birgit Beumers | Yury Lyubimov at the Taganka Theatre, 1964-1994: At the Taganka Theatre (1964-94) (Contemporary Theatre Studies, Band 21) |
1996 | 978-3-7186-5876-3 | Diana Theodores | First We Take Manhattan: Four American Women & the New York School of Dance Criticism: Four American Women and the New York School of Dance Criticism (CHOREOGRAPHY AND DANCE) |
1997 | 978-3-7186-5877-0 | Dorothy Madden | You Call Me Louis, Not Mr Horst (CHOREOGRAPHY AND DANCE) |
'' | 978-3-7186-5878-7 | Hazel Smith · Roger Dean · R. T. Dean | Improvisation, Hypermedia And The Arts Since 1945 (Performing Arts Studies, Band 4) |
2004 | 978-3-7186-5879-4 | M. Iqbal Choudhary | Biological Inhibitors (Studies in Medicinal Chemistry, Band 2) |
1997 | 978-3-7186-5882-4 | Lizbeth Goodman · Jane De Gay | Feminist Stages: Interviews With Women in Contemporary British Theatre (Contemporary Theatre Studies (Paperback), Band 17) |
'' | 978-3-7186-5884-8 | Charles Lamb | Howard Barker's Theatre: Howard Barker's Theatre of Seduction (Routledge Harwood Contemporary Theatre Studies, Band 19) |
'' | 978-3-7186-5885-5 | Birgit Beumers | Yury Lyubimov at the Taganka Theatre, 1964-1994: At the Taganka Theatre (1964-94) (Contemporary Theatre Studies) |
1997 | 978-3-7186-5886-2 | Diana Theodores | First We Take Manhattan: Four American Women and the New York School of Dance Criticism (Choreography and Dance Studies, Band 10) |
'' | 978-3-7186-5887-9 | Dorothy Madden | You Call Me Louis, Not Mr. Horst (Choreography and Dance Studies Series, Band 11) |
'' | 978-3-7186-5888-6 | Hazel Smith · Roger Dean | Improvisation, Hypermedia And The Arts Since 1945 (Performing Arts Studies, Band 4) |
1996 | 978-3-7186-5891-6 | Gordan K. Hansson · Peter, M.D. Libby | Immune Functions of the Vessel Wall (Perfoming Arts Studies,) |
1997 | 978-3-7186-5892-3 | Richard H. Weisberg | Vichy Law And The Holocaust In France (Studies in Antisemitism, Band 3) |
1996 | 978-3-7186-5896-1 | Laurence Pillar | Essential Cardiac Technology |
'' | 978-3-7186-5897-8 | '' | Essential Cardiac Technology |
'' | 978-3-7186-5899-2 | Allen Hutchinson · Elaine McColl · Margaret Christie · Carol Riccalton | Health Outcome Measures in Primary Out-Patient Care |
1996 | 978-3-7186-5901-2 | Julian Leslie · J. R. Millenson | Principles of Behavioral Analysis |
'' | 978-3-7186-5902-9 | Julian Leslie | Principles of behavioural analysis |
'' | 978-3-7186-5903-6 | Jason Ditton · Richard Hammersley · Scottish Cocaine Research Group | A Very Greedy Drug: Cocaine in Context |
1997 | 978-3-7186-5906-7 | Thomas Soderqvist | The Historiography of Contemporary Science and Technology (Routledge Studies in the History of Science, Technology and Medicine, Band 4) |
1996 | 978-3-7186-5907-4 | Paolo Palladino | Entomology, Ecology & Agriculture: The Making of Scientific Careers in North America, 1885-1985 (Studies in the History of Science, Technology, and Medicine, V. 3, Band 3) |
1997 | 978-3-7186-5910-4 | Tatiana Egorova | Soviet Film Music: An Historical Survey (Contemporary Music Studies, Band 13) |
'' | 978-3-7186-5911-1 | '' | Soviet Film Music: An Historical Survey (Contemporary Music Studies) |
'' | 978-3-7186-5913-5 | Sukh Dev · Opender Koul | Insecticides of Natural Origin |
1996 | 978-3-7186-5920-3 | Peter Lonai | Mammalian Development |
1996 | 978-3-7186-5921-0 | Shaheer H. Khan | Modern Methods in Carbohydrate Synthesis (Frontiers in Natural Product Research,) |
'' | 978-3-7186-5925-8 | Paul Sillitoe | A Place Against Time: Land & Environment in the Papua New Guinea Highlands: Land and Environment in the Papua New Guinea Highlands (Studies in Environment Anthropology) |
1997 | 978-3-7186-5927-2 | G. Padmanaban · M. Biswas · S. Vishveshwara | The Web of Life (Perspectives in Science & Engineering) |
1996 | 978-3-7186-5929-6 | Paul M. Vanhoutte | Endothelium-Derived Hyperpolarizing Factor (Endothelial Cell Research, Band 1) |
1997 | 978-3-7186-5930-2 | Maxwell Steer | Music & Mysticism (Contemporary Music Review, Band 1) |
'' | 978-3-7186-5932-6 | Katharine Norman | A Poetry of Reality: Composing With Recorded Sound (Contemporary Music Review Series) |
'' | 978-3-7186-5933-3 | Angelo Carella | Autologous Stem Cell Transplantation: Biological And Clinical Results In Malignancies (Advances in Blood Disorders, Band 2) |
'' | 978-3-7186-5934-0 | R. Pieters · A. J. P. Veerman · G. J. L. Kaspers | Drug Resistance In Leukemia And Lymphoma Ii (Advances in Blood Disorders, Band 3) |
1997 | 978-3-7186-5935-7 | Anna Furse · Elaine Showalter | Augustine: Big Hysteria (Contemporary Theatre Studies) |
'' | 978-3-7186-5936-4 | Anna Furse | Augustine: Big Hysteria (Contemporary Theatre Studies) |
1996 | 978-3-7186-5939-5 | Gabriele Griffin · Elaine Aston | Curfew (Routledge Harwood Contemporary Theatre Studies) |