Erschei-
nungsjahr | ISBN | Autor(en) | Titel |
|---|
| 1996 | 978-3-7186-5866-4 | Krogsgaard-Larson P | A Textbook of Drug Design and Development |
| '' | 978-3-7186-5867-1 | Krogsgaard-Larsen P | A Textbook of Drug Design and Development |
| 1997 | 978-3-7186-5869-5 | Peters | Alcohol Misuse: A European Perspective |
| 1996 | 978-3-7186-5871-8 | Odysseas Elytes | The Oxopetra Elegies (Greek Poetry Archive , Vol 2) |
| '' | 978-3-7186-5872-5 | Lizbeth Goodman · Jane De Gay | Feminist Stages: Interviews With Women In Contemporary British Theatre (Routledge Harwood Contemporary Theatre Studies) |
| 1997 | 978-3-7186-5873-2 | Leigh Woods · Agusta Gunnarsdottir | Public Selves And Political Stages: Interviews with Icelandic Women in Government and Theatre (Routledge Harwood Contemporary Theatre Studies) |
| '' | 978-3-7186-5875-6 | Birgit Beumers | Yury Lyubimov at the Taganka Theatre, 1964-1994: At the Taganka Theatre (1964-94) (Contemporary Theatre Studies, V. 21) |
| 1996 | 978-3-7186-5876-3 | Diana Theodores | First We Take Manhattan: Four American Women & the New York School of Dance Criticism: Four American Women and the New York School of Dance Criticism (Choreography and Dance) |
| 1997 | 978-3-7186-5877-0 | Dorothy Madden | You Call Me Louis, Not Mr Horst (Choreography and Dance) |
| 1996 | 978-3-7186-5879-4 | M. Iqbal Choudhary | Biological Inhibitors (Studies in Medicinal Chemistry) |
| '' | 978-3-7186-5882-4 | Lizbeth Goodman · Jane De Gay | Feminist Stages: Interviews With Women in Contemporary British Theatre (Contemporary Theatre Studies) |
| 1997 | 978-3-7186-5884-8 | Charles Lamb | Howard Barker's Theatre: Howard Barker's Theatre of Seduction (Routledge Harwood Contemporary Theatre Studies) |
| 1997 | 978-3-7186-5885-5 | Birgit Beumers | Yury Lyubimov at the Taganka Theatre, 1964-1994: At the Taganka Theatre (1964-94) (Contemporary Theatre Studies) |
| 1996 | 978-3-7186-5886-2 | Diana Theodores · D. Theodores · Theodores Diana | First We Take Manhattan: Four American Women and the New York School of Dance Criticism (Contemporary Theatre Studies) |
| 1997 | 978-3-7186-5887-9 | Dorothy Madden | You Call Me Louis, Not Mr. Horst (Choreography and Dance Studies Series) |
| '' | 978-3-7186-5888-6 | Hazel Smith · Roger Dean | Improvisation, Hypermedia And The Arts Since 1945 (Performing Arts Studies) |
| 1996 | 978-3-7186-5891-6 | Goran K. Hansson · Peter Libbey · Gordan K. Hansson | Immune Functions of the Vessel Wall: 2 (Perfoming Arts Studies,) |
| '' | 978-3-7186-5896-1 | Pillar · L. Piller · L. Pillar | Essential Cardiac Technology: For the Student Health Care Professional |
| '' | 978-3-7186-5897-8 | Laurence Pillar · Laurence W. Piller · Pillar | Essential Cardiac Technology |
| '' | 978-3-7186-5899-2 | Hutchinson · A. Hutchinson · Christie M. | Health Outcome Measures in Primary and Out-Patient Care |
| 1996 | 978-3-7186-5901-2 | Julian Leslie | Principles of Behavioural Analysis |
| '' | 978-3-7186-5902-9 | Julian Leslie · R. Ed. Leslie | Principles of Behavioural Analysis |
| '' | 978-3-7186-5903-6 | Jason Ditton · Richard Hammersley | A Very Greedy Drug: Cocaine in Context |
| 1997 | 978-3-7186-5906-7 | Thomas Soderqvist | The Historiography of Contemporary Science and Technology (Studies in the History of Science, Technology & Medicine) |
| 1996 | 978-3-7186-5907-4 | Paulo Palladino · Paolo Palladino · P. Palladino | Entomology, Ecology and Agriculture: The Making of Scientific Careers in North America, 1885-1985 (Studies in the History of Science, Technology, and Medicine,) |
| 1997 | 978-3-7186-5910-4 | Tatiana Egorova | Soviet Film Music: An Historical Survey (Contemporary Music Studies) |
| '' | 978-3-7186-5911-1 | Tatiana Egorova · Egorova Tatiana | Soviet Film Music: An Historical Survey (Contemporary Music Studies) |
| '' | 978-3-7186-5913-5 | Sukh Dev · Dev Dev · Opender Koul | Insecticides of Natural Origin |
| 1996 | 978-3-7186-5920-3 | Peter Lonai · Peter Ed. Lonai | Mammalian Development |
| 1996 | 978-3-7186-5921-0 | Raymond Bonnett · Khan H. Khan · Shaheer H. Khan | Modern Methods in Carbohydrate Synthesis (Frontiers in Natural Product Research,) |
| '' | 978-3-7186-5925-8 | Paul Sillitoe · Sillitoe Paul | A Place Against Time: Land and Environment in the Papua New Guinea Highlands (Performing Arts Studies) |
| 1997 | 978-3-7186-5927-2 | G. Padmanaban · M. Biswas · M. S. Shaila | The Web of Life (Perspectives in Science and Engineering) |
| 1996 | 978-3-7186-5929-6 | P. M. Vanhoutte | Endothelium-Derived Hyperpolarizing Factor Ach (Endothelial Cell Research , Vol 1) |
| 1997 | 978-3-7186-5930-2 | Maxwell Steer | Music & Mysticism: Part I (Contemporary Music Review Series, Vol 1) |
| '' | 978-3-7186-5932-6 | Norman | Poetry of Reality: Composing with Recorded Sound (Contemporary Music Review (M.E. Sharpe)) |
| '' | 978-3-7186-5933-3 | Carella Angelo | Autologous Stem Cell Transplantation: Biological and Clinical Results in Malignancies (Advances in Blood Disorders) |
| '' | 978-3-7186-5934-0 | R. Pieters · A. J. P. Veerman · G. J. L. Kaspers | Drug Resistance In Leukemia And Lymphoma Ii (Advances in Blood Disorders) |
| 1997 | 978-3-7186-5935-7 | Anna Furse · Elaine Showalter | Augustine: Big Hysteria (Contemporary Theatre Studies) |
| '' | 978-3-7186-5936-4 | Anna Furse | Augustine: Big Hysteria (Contemporary Theatre Studies) |
| 1996 | 978-3-7186-5939-5 | Gabriele Griffin · Elaine Aston | Curfew (Routledge Harwood Contemporary Theatre Studies) |